A monumental marble statue of a Roman magistrate, a frieze featuring a rare depiction of female gladiators, and a fragment of a gilded wall painting from Emperor Nero’s Golden House are among the treasures in the British Museum’s Rome: City and Empire exhibition, now open at the National Museum of Australia till February.
The exhibition, exclusive to the National Museum, draws on the British Museum’s extensive collection and features more than 200 objects dating from the 9th Century BCE to the 6th Century CE – many of which have never previously toured.
It is the third such collaboration, and there will be more under a Memorandum of Understanding announced by the two institutions.
National Museum director, Dr Mathew Trinca said the Roman Empire’s legacy endured in modern Australia today, encompassing its languages, art and architecture, the design of its towns and cities and the laws by which we live.
“This exhibition will be a rare opportunity to see masterpieces from the Roman Empire on display in Australia. We are delighted to be working once again with National Museum following successful collaborations in 2015 and 2016.”
At its height, the Roman Empire encompassed more than a quarter of the world’s population.
Rome’s transformation from republic to empire is entwined in the lives and loves of a cast of iconic historical figures who also feature in the exhibition, including Julius Caesar, Mark Antony, Cleopatra and the adopted son of Caesar and first Roman emperor, Augustus.
Many of the objects in the exhibition have never previously toured, including the Roman magistrate (1st century CE); an Etruscan bronze casket used for women’s toiletries (300-250
BCE); a 4th century CE stone mosaic featuring Phobos, the god of fear; and a golden diadem from 1st century CE Roman Egypt, inscribed with the name of a Roman athlete.
Some of the exhibition’s objects originate from buried ‘hoards’ only unearthed in recent decades, such as the Selby Hoard discovered in Yorkshire in the UK in 2010 and the Hoxne Treasure discovered in Suffolk, also in the UK, in 1992.
An emotive marble statue of a bearded barbarian captive; a gold and jasper sealstone ring depicting Mark Antony; an ancient carved marble head of a woman resembling Cleopatra; a Pompeii fresco; and one of the finest bronze cavalry parade masks in existence, are some of the show’s highlights.
More exhibitions from the British Museum will come to the National Museum over the next five years, under a new Memorandum of Understanding (MoU) announced by the two institutions.
The new MoU builds on the existing collaboration which has resulted in three major exhibitions in London and Canberra over the past four years.
Under the MoU, the two museums will develop another major exhibition to be hosted at the NMA and look for opportunities to work together on other special exhibitions and research projects, including those relating to the British Museum’s holdings of Australian Indigenous cultural materials.
Such projects will include engagement with relevant Aboriginal communities and researchers, and provide opportunities for an exchange of knowledge and staff between the two institutions.