Pioneering Palestinian artist Kamal Boullata will be buried in his hometown of Jerusalem on Mount Zion next Monday, after a week of difficult talks between his family’s lawyers and Israeli authorities to obtain a burial certificate.
He was the first author to write a history of Palestine’s art from 1850 until 2005, and was a celebrated abstract artist who blended Arabic Kufic calligraphy, geometry and natural light in his silkscreen paintings.
“The right of every Palestinian to return to his homeland is a sacred right. It is particularly important for Jerusalemites, for whom the Holy City is part of their lives and essence,” the Boullatas said in a statement seen by Middle East Eye.
Israel barred him from returning to his city of Jerusalem, fresh under military occupation, except for a short visit in 1984, which the Dutch director Rudolf van den Berg immortalised in his documentary “Stranger at Home”.
He graduated from Rome’s Fine Arts Academy in 1965 and was a disciple of the Jerusalemite icon painter Khalil Halabi (1889-1964), who taught Boullata the art of sketching Christian figures and the Byzantine icons of Palestine’s churches.
Boullata also spent time studying the Islamic geometry, math and arabesque patterns of the Dome of the Rock mosque, which was built by the Umayyad Caliphate in the seventh century, inside the Al-Aqsa compound in Jerusalem‘s Old City.
He was part of Huruffiya, an influential movement by Arab artists in the 70s and 80s that weaved Arabic calligraphy, geometry and modernism.
He authored several books and essays on Palestinian art, most notably, his masterpiece Palestinian Art: From 1850 to the Present; and translated poetry, a passion he practised in his youth, of the Palestinian poet Mahmoud Darwish and the Syrian poet Adonis, among others.
He finished two books before his death: There Where You are Not and Uninterrupted Fugue about his artwork and critical writing; both will be published by Hirmer Verlag in the autumn.