In 1919, Garnier received a letter from a young admirer named Charles-Édouard Jeanneret, who had just encountered An Industrial City. “It is a milestone clearly delimiting a past period and opening up all possible hopes… In ten years, [your book] will be the foundation of all production and be the first rallying sign,” he wrote.
Today, Garnier is not nearly as well known outside of France as Jeanneret (or Le Corbusier). But “one could say that Garnier is to Lyon what Antoni Gaudí is to Barcelona,” said Catherine Chambon, director of the Tony Garnier Urban Museum, an open-air museum devoted to the architect in Lyon, France’s second-largest city. There’s not a neighborhood in the city where his presence isn’t felt.
This year and into 2020, the city is celebrating the 150th anniversary of Garnier’s birth. The Tony Garnier Urban Museum has put up an exhibit; the municipal archives has, too, focusing on the fruitful professional relationship between Garnier and former Mayor Edouard Herriot. The city’s Renaud Foundation will display Garnier’s paintings, drawings, plans, and photographs.
Garnier, a son of canuts or workers in the silk industry, was born in the working-class Croix-Rousse neighborhood of Lyon on August 13, 1869. Growing up in modest conditions where people worked and lived in the same space led Garnier to consider the social aspect of housing from an early age.